Winterhawk - Revival (1982)

 I heard this album for the first time 3 years ago or so...At first, I didn't really like it. The songs were too long for me, too 60's-70's blues riffs and solos for my tastes and -even though I was and still am a big rock n roll fan- nothing that could really draw my attention, so I left it on the corner and never listened to it. Until 3 or 4 days ago. I saw it while I was checking through my music library and decided to give it another go.
 The start of the "Intro" with those drumming and 70's prog riffs managed to draw my attention this time and through the next songs the feeling was getting better and better! Solid drumming, very well constructed guitar riffs and solos with great variety, from -as said before- 60-70's blues and rock (Can't See the Forest for the Trees), progressive rock (Intro, Sanctuary, Period of Change) like that extraterrestrial band carrying the name Rush and some touches that could even remind me of Eloy in "Future City". The riffs continue with an even greater range like hard rock and even heavy metal (Revival, Ace in the Hole [the vocals here change], Free to Live)  and here I have to say that I found that band searching for some neat Heavy Metal albums. The bass embraces the rhythm of those so well attached drumming and gives the listener the feeling of a well done composition that keeps going on and on without making them tired, as the rhythms always change and the solos are continuous!
 Last but not least, the voice of the singer is something remarkable as well, it reminds me of Rush's Geddy Lee and I cannot help but connecting it with Rush's "2112", especially every time that I listen to "Period of Change".
 That being said, the album is of course really really good and it can attract people from all those kinds of music I mentioned above. It is worth one, two or even three repeats. The only drawback (which cannot be clearly counted as one)? Some songs last long even though they could be shorter, in my opinion. It's not a problem, not to me anymore, it's just a matter of taste and how you are able to stick to a song and pay your attention to it.

 My fave songs from the album: "Intro", "Sanctuary", "Period of Change" (a bit more favorite than the others) and "Free to Live". Enjoy!
Band and album info: Rate Your Music
Download: Boneyard Metal

RIP Lemmy

It's still so hard for me to believe and accept it. Rest in peace, you, metal god Lemmy Kilmister! You will be always remembered! A BIG THANK YOU FOR YOUR MUSIC.
People, today you should play Motörhead loud! Really loud!

Elder - Lore (2015)

 Back from another long hiatus! I'm back again with another masterpiece that came to our speakers this year. A majestic, carefully written and full of surprises album by the legendary Elder, that was released not only to confirm their potential (even though we have clearly seen that on the previous LPs and EP), but to fill us with more of the magical harmonies and the stomping riffs this band is able to come up with.
 Lore partially keeps the lyrical themes of the EP (Spires Burn / Release) that was released before it and strengthens it with more pomposity, making the album carry the name that would best describe it. It's like reading the lore of a mystical land, far away from something usual and common. The band makes sure to enrich those lyrics with a barrage of imposing riffs and captivating yet earthen melodies, that tend to impress -and not to weary the listener- until the very last minute.
 Compendium is the first song (and the first one released, I think) of the album, that gives us a first idea of what we are going to hear in what we are holding in our hands or looking at our screens. A melodic yet powerful song with long solos and beautifully matched riffs followed by Nick's voice, opening a way for our journey into that magnificent album called Lore.
 Legend, the next song, keeps up with a more calm pace for the most of its part, something that could remind us of the last songs of Dead Roots Stirring, but still in the way that Lore has been written, meaning longer solos and riffs, a more powerful voice and more sound effects.
 Lore comes to take the place of Legend and, giving my humble opinion, it is the strongest song in the album! Great melodies that if you close your eyes, they can take you to magical places, making you one with the story that unfolds through the lyrics. A great piece of art and something musicians who pursue the same style should admire.
Deadweight gives the listener the feeling that they're under the sea and the waves start to swallow them whole, slowly sinking in a dark abyss. The song escalates to a point that someone could feel it like tremendous waves crushing on a cliff, something that reminded me of Oceanic by Isis, in a similar but still very different way.
Spirit at Aphelion, the epilogue of this majestic album, keeps the same "spirit" as the previous ones. Powerful riffs, sound effects that bring you to another world and beautifully matched lyrics that create a farrago of something that could be described as heavenly!
 Coming to a conclusion, as I don't intent to prattle, this album is an utter piece of art that should be admired by the listeners and by the fellow musicians as well. I could write far more things about each one of the songs, but I would not like to spoil more than the less of those you are about to hear. Listen to the album (at least more than once), buy it and go see those guys live, because I dare say they must be the best of their kind.

The seeds we've sewn rising forth 

the sons of trite and jealous birth 

who wash their hands in blood and soil 

.a golden light an earthly toil

Sinoptik - 16/58 (2014)

 It's been a long looong time since our last post on this blog, but the return brings something promising!
 I was always curious about how it would be if Black Keys met with the stoner sound and what would be the result of it. Well, Sinoptik came as a surprise into my life to help me find out what it would be like and, damn, I was really happy from what I heard!
 Those crazy guys from Kiev, Ukraine  come with a truly promising debut album called 16/58, released later the previous year. The album moves around what I said above, a Black Keys sound mixed with stoner and psychedelic/spacey one, making it sweet for the ears and giving you what you would like to hear from a modern band following the old ways of rock!
 The songs are full of a variety of sweet and "dancy" tunes, which makes, me at least, want to dance and the other moment to bang my head around or do both at the same time! The lyrics are about loooove (not cheesy though, that's good) and running away from daily life, making a perfect match with the sound the band carries. "Bullet's Taste" and "16/58" are a sure repeat on your player, as by the moment you listen to them, you're going to love them. What's more to find in that album except its beauty, is a cover to Black Keys' "Gold on the Ceiling", giving us an idea from where the guys were inspired, even though it was already obvious for the Black Keys lovers! A nice cover though, truth be told.
 Coming to a conclusion, catchy tunes, sweet voice, beautiful groove and the great feeling of psychedelia is what this album and the guys from Kiev have to offer to you and you should be grateful about it, cause I'll be damned if I say that 16/58 is not a good album! Make sure to check it out and support them if you like them! I'm completely sure that this is only the beginning, and if this isn't a good start, then...I don't know anymore!

"...But maybe its only the radio-frequency noise from the solar wind and he simply went insane..."

You can find band info and download the album for whatever price you like here: Bandcamp

UFO - Phenomenon (1974)

 This album is how I came to meet the legendary band called UFO and, eventually, how I came to love it. Phenomenon is a truly inspirational album for a large amount of bands who came after it, something we can understand by the covers some bands of the 80's used to make, like Iron Maiden and others...
 Full of calming melodies, arpeggios and lyrics about love, romance and daily life, Phenomenon has more than that to give to the listener. Those fantastic solos of Michael Schenker is the first thing that drew my attention, when I firstly listened to the album, full of feeling and a rock n roll "essence", and it's, pretty much, what makes this album special and what, at least, made me love it.
 Doctor doctor and Rock Bottom are the most popular songs of the record and the most dynamic ones, however, by listening only to those, someone cannot have a complete impression of what the album is about and the compositions it consists of. In a few words, this album has both rock n roll and calm/bluesy parts, something that makes it even more interesting.
 In addition, giving my opinion, Phenomenon is the album that gave UFO their musical identity, as by listening to the previous two albums and I haven't found them really satisfying, given that I firstly listened to Phenomenon. That, of course, is a matter of taste, so there's no need to be mentioned further.
 Finally, as mentioned before, UFO is a band which inspired some great bands and Phenomenon, if not their best, it's surely one of their best records and a great release in the history of Rock, so give it a try if you haven't already and, as always, better in vinyl, keeping the old ways alive!
Thank UFO for their music.
Album info: Wikipedia
Discography: Rockbox

Black Soul Horde - Tales of the Ancient Ones (2013)

 Here in Greece, traditional heavy metal has been always loved, worshipped and revered amongst metalheads. Our local scene has shown some really talented acts in the genre like Spitfire and Rust in the 80s and there is also a small epic metal resurgence that started during the last decade with bands like Sacral Rage and Battleroar to name a few. The Athenian band Black Soul Horde, follows in a similar direction but with one huge difference. Instead of adding doom or power metal elements to their music like most Greek epic bands do, these guys play straight up 80s heavy metal. I consider them to be a genuine child of Omen or Manilla road with epic lyrics, themes from fantasy or sword and sorcery works but Greek and Norse mythology as well. The production is nice and clean, although not too modern and the guitars sound great with melodies and riffs that stand up to those that the forefathers of the epic genre used to make back when heavy metal was in its days of glory. There is also a variety in the tempo between the songs, some being mid paced, perfect for singing along and others being fast enough for some intense banging. The band also seems to have found their own sound and although they are honoring their influences the songs do not sound recycled or predictable.
 In conclusion, Tales of the Ancient ones is one of the best Greek efforts I've ever heard during the last few years. Be sure to check them out. Heavy metal ρε μουνιά!

Facebook Page : Black Soul Horde Official

Manilla Road - Crystal Logic (1983)

 It has been long since we posted, but here's a come-back with a band and an album, which are considered a benchmark and a source of inspiration for not only Traditional Heavy Metal, but also for the Epic and Power Metal bands which came after it. Manilla Road rocking us from Wichita, Kansas since 1977, released a killer album called Crystal Logic back in 1983 that until now, it remains a greatly inspirational album for all those who follow the ways of Heavy Metal and not only.
 Lyrics about tales of warriors in fantastic realms, monsters, dreams and visions, come to connect perfectly with the epic and compelling riffs and characteristic vocals of Mark "Shark" Shelton, making the album a tale of forgotten lores and unsung heroes, keeping the attention of the lovers of such things completely drawn the whole time the record plays. Necropolis is the most popular song of the album and it's, pretty much, a song that gives the listener the idea of what they are going to listen to, a quick demonstration of what Manilla Road sound like and what lyrical themes they are mainly focused on.
 The artwork, once again, is what you would expect from a band of its genre back in the day, meaning a "poor" made artwork with not many features and details, unlikely the content of the record, which is really stunning. That's something to let us know that we shouldn't criticise from the outside, though, especially if it's for a Heavy band from the 80's, when the poor quality artworks seemed to be something like tradition...
 Concluding, I consider this album a great inspiration for me and it surely is in the list of my favorites, so I suggest you listen to it from the "Prologue" till the "Epilogue" if you haven't already, because it is really worth a try and, of course, better in vinyl, keeping the old ways alive!
Long live Mark "Shark" Shelton!
Album info here: Metallum Page
Discography: Rockbox

Immortal - Pure Holocaust (1993)

 Immortal, coming from the North full of rage and frost with the album called Pure Holocaust, the second album of theirs, which I really consider a must-hear if you are into Black Metal, as it is justifiably a benchmark in the Black Metal history.

 From the start till the end, this album is full of rage, power and intensity, keeping a frozen atmosphere, just like the lyrical themes Demonaz chose for the album. Pure Holocaust is an album written on a really fast tempo, with its endless tremolo picking and the triggers burning afire. Pretty disharmonic compositions followed by the misanthropic growls of Abbath come to add to the frozen atmosphere of the album, something that makes it even more raw and intense than the previous album, in which some more melodic and "calm" compositions were used, making the songs bigger in duration.

 The artwork of the album is something I like, showing Demonaz, Abbath and...Erik(?), but the funny thing is that all the songs and lyrics were written and recorded by Abbath and Demonaz, with Abbath on bass, vocals and the drums( ! ) and Demonaz on guitars and lyrics. Erik was only on some shows, something that confuses me on why they chose to put him on the artwork.

 Concluding, Pure Holocaust is a pretty raw and powerful album and in my opinion the best one of Immortal. The lyrics are great, the compositions embrace perfectly the lyrical themes of frost and hatred and the result lead to a masterpiece in the Black Metal scene. What could be considered as a drawback though, is the duration of the album, which is a bit small (33:47), due to the fast tempo of the songs, I guess.

 Make sure to check Pure Holocaust out if you already haven't and better in vinyl, keeping the old ways alive!

Support the band if you like them!

Find info here: Metallum Page

Download here (Whole discography): Rockbox

Fates Warning - The Spectre Within (1985)

 Back again for another review, this time from the U.S metal legends Fates Warning. Me and fellow blogger Ivixor G became addicted to this band not long ago, so we decided to review 2 of their best albums.As you read in the Awaken the Guardian review Fates are known for their melodic and delicate sound and are thus considered pioneers of progressive metal and some of their later albums defined the genre's sound. However with their second album -The Spectre Within- this is not the case. This time we're talking about straightforward, aggressive and raw heavy metal/USPM, although it differs a lot from the work of their contemporaries such as Manowar and Manilla Road.

 The first odd thing about the album is the vocals performed by living legend John Arch. The vocals were really groundbreaking for their time as Arch had an insane vocal range.Everyone needs to check out a live performance of The Apparition. Seriously, that guy doesn't even miss a single note!

 The second odd thing about this album is the sheer technicality that's in it.Guitarist and mastermind Jim Matheos was one of the first to implement time signature changes, unusual song structures and insane solos, that laid the groundwork not only for progressive metal, but modern metal in general. This album definitely showed the band's true potential, something that the absolutely respectable Night on Brocken Couldn't do.

 Just like their later albums the lyrics are a bit cheesy and the message that the band wants to give to the listener remains unclear, but in front of such a musically tremendous album this is just a minor mistake. 

  So if you're either an 80s heavy metal fan, a progressive metal enthusiast or someone who appreciates quality and technicality in metal, you should definitely check The Spectre Within.It sure is a cornerstone in the history of heavy metal and their greatest album in my book.

Info : Metallum Page

Download : Torrent Link

Fates Warning - Awaken The Guardian (1986)

 Back from the summer holidays, alive and well, we arrive with some old school stuff, but still progressive and really far away from their time! It's Awaken The Guardian, by Fates Warning, a great album, that drew my attention from the first time I listened to Fata Morgana and Guardian, with its unique high pitched vocals of -who else- John Arch and the progressive compositions made by Jim Matheos and the rest of the band.
 Being prepared of what you are going to listen to from the previous album, called The Spectre Within, you would be probably ready to hear some "hard" stuff, followed by John's voice and those endless technical solos that could blow your mind. On the contrary, though, Awaken the Guardian is a more melodic album, an album much easier to listen to and understand its compositions. Here's where the opinions matter the most, as a lot of people would say that their previous masterpiece was way harder and maybe better than this one. Still those two albums remain the most successful and complete albums of  Fates Warning, at least with John Arch on vocals.
 In more detail, the artwork is pretty much related with the previous album's and you could understand that by reading the lyrics. Talking about the lyrics, I've got to say that most of them are a bit confusing, in a way you could find out about what they want to say and what they want to express, but not the exact idea. In my opinion, the lyrics are a drawback for the album, but that's not an important matter, I still love it!
 Concluding, I got to say that Fates Warning made a great job for this album and this can be easily proven to you just by listening to it. One time is enough, I'm sure that all the Heavy Metal lovers will be back for more of it, as one or more songs of this album will get stuck in your head for days!
Support the band, go see them live or buy their albums, better in vinyl keeping the old ways alive!
Find info here: Metallum Page
Download here (whole discography) : Rockbox

Time to Burn - Is.Land (2007)

Time to Burn is one of the many post-hardcore / atmospheric sludge bands emerging in the scene the past decade. Despite the vast number of new bands in this particular subgenre, they - hailing from France, a country that has always tended to experiment a little further in any type of art given - managed to seperate themselves from the rest. 
This album is their last, longest and best album. By no means, I ain't saying that their previous efforts weren't good; but, this album is their magnum opus. They reached their peak with Is.Land. Music wise, although after a first listen someone might say it's just like any typical post-hardcore / atmospheric sludge band, after a couple hearings you'll soon realize that there's something really special about this band. There are melodic parts (for instance the instrumental intro or the interludes) , there are faster sections that make you bang your head or smash something, there are slow, crushing moments of let's-say-doom and a lot ambience creating an atmospheric soundscape. 
As for the vocals, I'm left astonished every single time. Not only there's a range on the type of vocal approach, as there are some clean vocals - especially on the closer, "Land" -, but what amazes me the most is the passion and the straightforward way he opts to express his feeling. I love his screams, especially on Nayeli; these are not "screamo" screams; no bullshit; these are simply screams full of passion and feeling. 
The production's also pretty decent with the appropriate noise, feedback etc. that fits perfect with the sludgy -yet atmospheric - music. 
Overall, a nearly perfect album that I'd recommend to any fan of atmospheric sludge metal. Listen to the album and download it for free here.
Bandcamp

Recommended tracks: "Nayeli", "Emma Peel", "Tormenta", "Tsering Lhamo", "Land"

Rating:
4.75 / 5

Uncle Acid and the Deadbeats - Blood Lust (2011)

 Pretty influenced by Black Sabbath and other bluesy stuff, Uncle Acid and the Deadbeats come from Cambridge, Cambridgeshire (England), with a great second album called Blood Lust, released a year after their first album, which is nearly as awesome as the second is.
 Being the second album of the band, Blood Lust shows that Uncle Acid and his deadbeats found their own style of music and it's just something that we haven't listened to since the good old days of the first Sabbath albums. All that, personally, brings me a feeling of relief, as I find out that not all bands have forgotten the old ways of music, meaning that people can still produce old-school music, something that could be considered a bit forgotten due to the modernisation of the genres.
 Anyways, focusing on Blood Lust, I have to tell you that you should be reading the lyrics from the start of the album till the end of it and what I can assure you is that you will be taken back to the times when the witches ran wild and the sorcerers lived in secluded towers. The lyrics, of course, are about occultism, murders, darkness, rituals and sometimes about romance and fit just perfect with the music and of course with the voice of Uncle Acid, which has a bit of a sick tone. The compositions remind of Iommi's heavy, unforgettable riffs that were written in the early years of Black Sabbath and that's what makes their sound "Sabbathised". Still, the tones keep a specific motif
in the whole album, except for the last song "Untitled", in which we can hear some crows and then the song comes in, different of the previous songs, as it is an accoustic one. What is noticeable in this album is that this time, Uncle Acid and the Deadbeats made little use of the Organ, which they used in the first album.
 Finally, I have to say that Uncle Acid and the Deadbeats is a band that keeps the old-school ways alive and if you haven't already checked them, you really should, especially if you are a lover of the Ozzy era of Black Sabbath and, generally, the first wave of metal and the blues!
Support the band if you like them and buy their albums!
Info here: Metallum Page

Satan - Life Sentence (2013)

 Many great groups in the history of metal tend to reunite after staying inactive for a certain time period and most of these reunions could not stand up to the original work of these bands. However, Satan, one of the most extreme and influencing bands of the NWOBHM decided to break that rule by releasing this gem. Life Sentence is a modern classic and a nod to the old school that comes straight from the 80s and is on par with the band's greatest album released until now, none other than their mindblowing debut, Court in the Act. Everything from the band's days of glory is here. From the duelling guitar melodies of Steve Ramsey and Russ Tippins (which were a major influence to speed and thrash metal),to the simple, yet addictive drum patterns of Sean Taylor, to the savage vocals of Brian Ross (who also performs in Blitzkrieg). Trust me, that guy can still hit those high notes like he did back in '83!All of the songs have the band's trademark sound, with a dash of good old 80s speed metal. The band doesn't make any huge innovations, but that, of course is the point of the album, to make you travel back in time when heavy metal was raw, fast and aggressive with lyrical themes that portrayed the problems and fears of that time period, that in my opinion still exist : apocalyptic wars, society and personal struggles.
 So, in conclusion Life Sentence is a flawless comeback from a band that, simply put, has managed to stand the test of time. If you haven't yet listened to it yet, then grab a beer, wear your old leather jacket, play it full blast (preferably on vinyl) and have yourselves a good time!

Find info here : Metallum Page
Download : Rockbox

Radar Men from the Moon

 Radar Men from the Moon is a new band from the Netherlands that caught my attention two years ago, when their debut came out, initially because of their catchy name and the even catchier artwork of their debut album, Intergalactic Dada and Space Trombones (2011). So, since I've been listening to them the whole day, and especially to their sophomore release, I decided to praise their efforts by writing this post.

 The type of music here can obvioulsy be implied from the band's and album's name and artwork. Pure psychedelic / stoner rock. Five lengthy tracks, all round the 9 minute point, which sound more like jamming sessions than actual songs. But despite the freely arranged compositions after a couple hearings you can tell that there's actually a plan, an idea behind each track. The music is calm, groovy, catchy, chilling and of course instrumental. Lots of effects are used on the guitar, the bass is perfectly played as are the drums. Really very creative rythm section by the Dutch. Many samples are also dropped in at times adding a kvlt feeling.

 Standout Tracks: "The Wire", "Intergalactic Dada and Space Trombones", "The People Who Stay On

the Earth Will Explode" (my favourite) .

Download

 Echo Forever is their second and lastes album for the time being, released in 2012. Although there are no great surprises this album manages to keep your attention thoughout the 50 minutes of its running time. And by "no great surprises" I mean that the band did not change their musical style and approach much compared to their debut. Still instrumental, still jamming, still catcy, still awesome. What I noticed about this album is that it sounds - to me at least - a little darker than their previous work. Even the artwork selection confirms this opinion. The songs' duration also changed a little bit,  there are more tracks with a shorter duration, but there are still lengthy compositions. Despite the fact that they're both outstanding outputs, I'll go with the second one. It sounds to me like a more mature effort. Of course sampling is present here as well.

 Standout Tracks: "Echo Forever", "Atomic Mother", "Darkness", "Heading for the Void", "Avant Garde Luxury".

Download

 

 So, for the fans of relaxing, lenghty, spacey stoner or psychedelic rock this is the perfect band to check out. With obvious 70's prog-rock influences and a lot of energy and creativity Radar Men from the Moon is one the rising stars in the scene.

 Bandcamp

Dolorian - Voidwards (2006)

 Voidwards is Dolorian's third release and latest for the time being. This band captured my attention from the very first time I listened to their debut "When All the Laughter Has Gone", which I consider a nearly perfect album, and has kept on surprising me since then. If we compared those two albums the verdict would be a win for the latest. Although this comparison would not be the wisest thing to do, because of the different approach on each, I think that Voidwards surpasses everything this band has done in their carreer.
 In Voidwards everything is completely different possibly than anything you  've heard in your miserable life. It is an amorphous amalgamation of dark thoughts, spiritualism and keyboard enhanced slow doom - blues leading you to inner peace and that's exactly where its aural grandeur lies. Songs do not follow the typical structures that the majority of metal bands does. They are some kind of downward spirals willing to consume every single drop of optimism is left inside you. Once you start your listen and you begin to like it there's no way back. The music will haunt you 'til the end of your days once you fall in love with it.
 What I admire the most about this release is the point of musical inteligence the band achieved to reach. Genius. Do not try to understand what you're hearing or lay the tracks in sections or riffs for your own mind's sake.. otherwise it is likely to be blown. Especially tracks like "In the Locus of Bone", "Ivory Artery" and "Raja Naga - Rising" will have that type of effect on your mind. Although as individual "riffs" - or rather patterns - might be simple and not technical, wholly as compositions they're extremely complex and the changes are very often. There's a high diversity among the style of the songs as there are interludes ( "Co-illusion", "The Absolute Halo is Awakening" and "The Fire Which Burns Not" ), gentle and peacefull lengthy instrumental pieces like "The Flow of Seething Emotions" and more aggressive ones like "Epoch of Cyclosure" and the epic "Raja Naga - Rising" closer.
 The vocals on this album are mostly whispers. That might be considered a drawback for someone who liked mostly the raspy black metal vocal approach on the debut, but I think that whispering is better for that type of musical approach, adding an overall more meditative and darker nature. The production is also dark and absolutely clean so you're able to hear every single note or beat played clearly.
 To sum up, I consider Voidwards being one of the greatest albums of all time or at least of what I've heard since now. I suggest to lay down, loosen your mind, concentrate solely on the music and let Dolorian do the rest. I guarantee the outcome will leave you astonished as it keeps on leaving me after every listen. Bear in mind it's dangerous but it totally worths giving it a try. So, enjoy responsibly.  " The seeker must seek.."

Standout Tracks: LISTEN TO IT AS A WHOLE.

Download

The Body - All the Waters of the Earth Turn to Blood (2010)

 The Body, the duet hailing from Providence, Rhode Island, is one of the finest emerging "new" bands in the Underground scene. I was overly excited when I first heard this album and especially the second track, "A Curse". Although, the Body's music is mainly sludge / doom they're not the typical sludge metal outfit. They incorperate many different elements in their heavy, slow-paced music such as orchestral passages, choirs and chants.
 The experimentation begins instantly from the very first song, "A Body". An orchestral vocal pattern perfomed by females serving as an intro for about 5 minutes until the actual song kicks in. Devastating just like the whole album. The second track, "A Curse", is the most catchy, straightforward and -let's say- accessible one on the record. Great nihilistic lyrics soaked in misery and misanthropy that suit perfectly with the dark music. Then comes the weirdest track, "Empty Hearth" which features the chant of an unknown religious cult in rapture or something.
 Overall, the music is heavy, repetitive, massive, creating a concrete wall of sound- or rather drones. The vocal approach - apart from the choirs and the chanting - reminds me of old Burzum , high-pitched shrieks with an agonizing and desparate feeling. The drumming is one of the highlights of this album. Although it is not as technical as in death metal nor there is any blast beat thoughout the 7 tracks, therefore the drummer turns out to be creative enough, adding more heaviness and brutality on the repetitive riffage and making it more interesting and "groovy" . A fact that worths mentioning is the nine men ensemble sharing the percussion duties on the last track, the epic closer "Lathspell, I Name You", creating the heaviest, most crushing drum beats you've ever heard, similar to an earthquake.
 A unique, experimental band with a weird and provoking approach, blending their typical sludge / drone / doom influences with orchestral-like clean female chants. Minimalistic compositions, black metal vocals with a totally nihilistic and misanthropic outlook on life and a suffocating, thick and sludgy production. " All the Waters of the Earth Turn to Blood" is a must for every open-minded fan of sludge / drone / doom and even black metal who craves for something unique and innovative.
You can listen the album here.

Standout Tracks: "A Curse", "Ruiner", "Lathspell, I Name You"
Metallum Page
Download

Cloven Hoof - Dominator (1988)

 Power and glory is what comes first to my mind by listening to that great album by Cloven Hoof. Dominator, being the album that helped me to get to know what Cloven Hoof means, is a great job done by those NWOBHM pioneers and I could describe it as a warcry!
 From the first tune to the last, the songs flood with power, filled with lyrics about battles, kings and every sort of epic themes, which surely take you into the times of knights and dragons, lords and castles! In all that atmosphere, the traditional Heavy Metal structure of compositions helps pretty much, with powerful riffs, technical solos and those high pitched vocals.
 What's more, Dominator, could be described as a more powerful album than Cloven Hoof's debut album, adopting a style more similar to the Epic Metal one, something that is not bad, but unlikely it sounds just great, being a successful approach to the genre.
 What I do not really like about Dominator, is the artwork of the album, but that's something we could get used to with the NWOBHM and Heavy Metal bands of those era, as only a few of them had nice made artworks (Cirith Ungol is a nice example).
 Finally, this album of Cloven Hoof is surely something pretty well done and it is worth a listen or maybe many...many more! Make sure to check it out and better in vinyl (if you could find it), keeping the good old ways alive!
Album info: Metallum Page
Download here: Mediafire Download

The Re-Stoned - Plasma (2012)

 I had been searching for this album since its release, but couldn't find it and so did a lot of you, as you asked from us to upload it. Even though I didn't have the time to write a review, what I heard was pretty awesome and since you wanted to listen to it too, I couldn't do something more but to share it, so...here it is!
 The Re-Stoned's long awaited album is pretty much intense, showing more of the stoner potential of the band, keeping the bluesy elements alive though, just like how we got to know them.
 The motif of Plasma, being instrumental just like the previous ones, keeps the same style of the previous records of the band, focusing especially on the astonishing compositions. The space sound effects become more and more trippy, the bluesy solos keep the same pace and so does the wah-wah and the stoner riffs, which come to add the deepness to the total of the album.
 A dose of psychedelia together with a reminder of the blues, plus the modern heavy style of stoner, Plasma keeps the modern and old ways in a great unison and harmony. That's something that suits the tastes of the lovers of old and new styles and so much more for those who cherish both!
 What we can easily notice, is that those Rusian's music gets more and more experienced, giving us one great album after another, making them a band with great potential and minds full of original ideas!
 If you ask me, Plasma is an album worth buying, better in vinyl, keeping the old ways alive!
 Support the band if you want to see more of their awesome stuff coming our way!
Download here: File Download
Band Info: Bandcamp Page

Ufomammut - Idolum (2008)

 This is Ufomammut with a great album called Idolum. That is the album that helped me getting to know those Italians and their freaking awesome music and I'm pretty happy to say that if the first impression matters the most, then the impression I formed is that this band is fantastic, with riffs and sound effects that could be described as extraterrestrial.

 Idolum is an album that surely shows the potential of the band, with those sounds that someone could think that they come straight from the outer space right into their ears. The imposing doomy riffs are another thing that I consider a remarkable feature in this album, which add a more "rough" touch in that space travel called Idolum.

 Even though it could be considered as an instrumental album, there are voices coming out in nearly every song, a feature that adds deepness to every song, making the space noises come to life, becoming a creature.

 All these together make up for an one-hour great space trip, from the starting notes till the end of the album. Just close your eyes, imagine you're in a spaceship, or that you float in space and everything you'll be listening to...will take life!

Support the band and buy their album if you like it!

Album info: Metallum Page

Listen to the album here: Youtube

Soul Vigilant Tribute : United States Power Metal (Part 3)

• Liege Lord

One of the most underrated and overlooked bands of the scene, Liege Lord were formed as Deceiver in 1982 in Stamford, Connecticut. After recording a demo and an EP they released their raw and intense first album, Freedom's Rise in 1985 that left us cult classics like Rage of Angels and For the King with massive guitar riffs and one of the most intense vocal performances of the scene by Tony Truglio but for all the good things the album  had to offer, it remained largely underground, mainly because of its poor porduction and is only revered and appreciated by metalheads who are truly devoted to classic heavy metal.They then proceeded to release two more magnificent albums : Burn my Touch in 1987 and Master Control in 1988, the latter managing to get some significant recognition among metal fans in general. They split up in 1990 and reunited again last year with most of the original lineup still intact but they haven't released any studio material yet.

Standout Records : All of them

• Attacker

Another greatly overlooked band of the scene, Attacker were formed as Warloc (missing the k) in 1983 and changed their name one year later. After recording a demo in the same year they proceeded to release their debut, Battle at Helm's Deep in 1985, which is considered by some to be the first pure power metal record to come out of the U.S along with Helstar's Burning Star. The debut was really raw sounding and it was very speedy and aggresive for its time save for the more epic mid tempo parts like the self-titled song's verses. They came back even more powerful 4 years later with their second effort (which is also their best IMO) called The Second Coming. It had an even more intense vocal performance than the debut as John Leone (R.I.P 1994) took original vocalist Bob Mitchell's place in 1986. The second album also had a more melodic approach than its aggresive predecessor.They disbanded one year later (1989) and reunited again in 2001 with drummer Mike Sabatini and guitarist Pat Marinelli being the only original members left. They have released three albums ever since and one of them (Giants of Canaan) was released this February and truly reminds me of the band in its days of glory in the 80s.

Standout records : Battle at Helm's Deep, The Second Coming, Giants of Canaan

• Heir Apparent

Heir Apparent are perhaps even more overlooked than the two previous bands. Formed in 1983 they released 2 demos in 1984 and then they released their debut, Graceful Inheritance in early 1986. Even though it didn't get all the recognition it deserves I have to say the album is simply astonishing.With melodic guitar riffs and solos and a great vocal performance by Paul Davidson the album is one of the most enjoyable this scene can offer with unsung hymns like Keeper of the Reign, Masters of invasion and Tear Down the Walls (personal favorite).The band recorded two demos after leaving  Black Dragon Records. They released their second album, One Small Voice in 1989 which followed a more progressive direction than its predecessor. The band has been active ever since but due to inconsistencies in the lineup and the lack of a record company they have been only able to release some demos the latest of them being released in 2003. The band performs live very often though and they are definitely worth seeing.

Standout Records : Graceful Inheritance

• Virgin Steele

Time for a well-known band of the movement once again.Virgin Steele were formed in 1981 and released their self-titled debut one year later.It was really good, though the trademark sound of the band had not been established yet and the album sounded a lot more like what hard rock and glam metal bands were doing at the time. They then started walking down the path of greatness and establishing their own style with their next three albums, Guardians of the Flame, Noble Savage and Age of Consent, released in 1983, '85 and '88 respectively.The epitome of their carreer had not been released yet though. After releasing the mediocre album Life Among Ruins in 1993 they went on to release their greatest albums, The Marriage Between Heaven and Hell Part I & II ('94 and '95 respectively), Invictus (1998) and The house of Atreus act I and II ('99 and 2000). These albums mainly with the help of David DeFeis' trademark vocal and keyboard performance (and songwriting of course) managed to touch the hearts of metalheads around the world with songs that could really tell well-crafted stories and speak to one's soul. These albums are probably more related to classical music than anything progressive metal bands like Dream Theater have released. Virgin Steele are still active and are still able to deliver spectacular albums like The Book of Burning, even though their latest effort left me unsatisfied.

Standout Records : The Marriage Between Heaven and Hell I&II, Invictus, The House of Atreus I&II

• Slauter Xstroyes

Back to the underground scene with one of the most progressive bands of the movement, Chicago's Slauter Xstroyes.Being formed in 1979 under the name Naj and recording a demo under that name, they soon changed it to Slaughter and Destroyers and finally slightly modified it to the one we know today.Although they were one of the earliest bands in the movement they were not able to release a record until 1985 when they released their great debut called Winter Kill.Slauter's complex melodies, an over the top vocal performance and frequent time signature changes made them one of the bands that helped create the genre we now call progressive metal.Something that added to the beauty of their sound were their really cheesy and irrelevant lyrics (listen to Mother, Motherfucker). In my opinion they were as vital to the genre's creation as bands like Fates Warning and Queensryche, although they did not sound like these bands at all as Slauter's sound was rawer and a great deal more aggressive than the other two. They split up in 1989 and reunited again with slight changes in the lineup to give us another fine record that goes by the name Free the Beast.Although they did not release any further material they continued touring and remained active until 2012.

Standout Records : Both records that are mentioned (Winter Kill, Free the Beast)

• Well, folks that was the end of this tribute.I hope you liked it! More tributes coming soon!